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	<title>Comments on: Tecno Brega</title>
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	<link>http://www.openbusiness.cc/2005/09/26/tecno-brega/</link>
	<description>the Open Business Project</description>
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		<title>By: Global Voices in Italiano &#187; Video-intervista con Diego Casaes, autore di Global Voices</title>
		<link>http://www.openbusiness.cc/2005/09/26/tecno-brega/comment-page-1/#comment-843722</link>
		<dc:creator>Global Voices in Italiano &#187; Video-intervista con Diego Casaes, autore di Global Voices</dc:creator>
		<pubDate>Mon, 30 Nov 2009 04:38:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.openbusiness.cc2005/09/26/tecno-brega/#comment-843722</guid>
		<description>[...] Ethan, uno dei co-fondatori di Global Voices, chiede: “Dove posso imparare qualcosa sulla musica Technobrega [...]</description>
		<content:encoded><![CDATA[<p>[...] Ethan, uno dei co-fondatori di Global Voices, chiede: “Dove posso imparare qualcosa sulla musica Technobrega [...]</p>
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		<title>By: Good Copy Bad Copy + Alternative Freedom at Abemad</title>
		<link>http://www.openbusiness.cc/2005/09/26/tecno-brega/comment-page-1/#comment-104256</link>
		<dc:creator>Good Copy Bad Copy + Alternative Freedom at Abemad</dc:creator>
		<pubDate>Fri, 22 Jun 2007 22:33:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.openbusiness.cc2005/09/26/tecno-brega/#comment-104256</guid>
		<description>[...] Flere historier i Good Copy Bad Copy:  Tecno brega  Lawrence Lessig Piratebay [...]</description>
		<content:encoded><![CDATA[<p>[...] Flere historier i Good Copy Bad Copy:  Tecno brega  Lawrence Lessig Piratebay [...]</p>
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		<title>By: Unconventional.Blog</title>
		<link>http://www.openbusiness.cc/2005/09/26/tecno-brega/comment-page-1/#comment-99297</link>
		<dc:creator>Unconventional.Blog</dc:creator>
		<pubDate>Wed, 20 Jun 2007 08:19:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.openbusiness.cc2005/09/26/tecno-brega/#comment-99297</guid>
		<description>&lt;strong&gt;Techno Brega Music Movement...&lt;/strong&gt;

A new documentary &quot;Good Copy Bad Copy&quot; showcases a new business model in Brazil&#039;s local music industry, where copyright protection becomes irrelevant....</description>
		<content:encoded><![CDATA[<p><strong>Techno Brega Music Movement&#8230;</strong></p>
<p>A new documentary &#8220;Good Copy Bad Copy&#8221; showcases a new business model in Brazil&#8217;s local music industry, where copyright protection becomes irrelevant&#8230;.</p>
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		<title>By: OpenBusiness &#187; Blog Archive &#187; Brazil - Cutting Edge Open Source Nation</title>
		<link>http://www.openbusiness.cc/2005/09/26/tecno-brega/comment-page-1/#comment-25138</link>
		<dc:creator>OpenBusiness &#187; Blog Archive &#187; Brazil - Cutting Edge Open Source Nation</dc:creator>
		<pubDate>Fri, 04 May 2007 11:16:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.openbusiness.cc2005/09/26/tecno-brega/#comment-25138</guid>
		<description>[...] Economy of culture is another important open source arena. According to Ronaldo Lemos, one of the important voices in the Brazilian open source movement and Director of the Center of Technology and Society (of the Fundação Getúlio Vargas) in Rio de Janeiro, recently publicized research findings show how the open business model of the TecnoBrega music scene in Belém — state of Pará, North region of the country — allows musicians to successfully sell content and performance directly to their audiences. The original concept translates into a genuine alternative business model for musicians that embraces openness as a fundamental rule and takes advantage of the digital features that boosts the rapid, cheap and effective distribution of cultural goods. While there are still many ready to label the initiative as undercover piracy, bloggers report and comment on how openness is starting to get a foothold in mainstream thinking. [...]</description>
		<content:encoded><![CDATA[<p>[...] Economy of culture is another important open source arena. According to Ronaldo Lemos, one of the important voices in the Brazilian open source movement and Director of the Center of Technology and Society (of the Fundação Getúlio Vargas) in Rio de Janeiro, recently publicized research findings show how the open business model of the TecnoBrega music scene in Belém — state of Pará, North region of the country — allows musicians to successfully sell content and performance directly to their audiences. The original concept translates into a genuine alternative business model for musicians that embraces openness as a fundamental rule and takes advantage of the digital features that boosts the rapid, cheap and effective distribution of cultural goods. While there are still many ready to label the initiative as undercover piracy, bloggers report and comment on how openness is starting to get a foothold in mainstream thinking. [...]</p>
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		<title>By: iCommons &#187; Blog Archive &#187; From social to legal commons - the spectrum of commons-based business models</title>
		<link>http://www.openbusiness.cc/2005/09/26/tecno-brega/comment-page-1/#comment-5335</link>
		<dc:creator>iCommons &#187; Blog Archive &#187; From social to legal commons - the spectrum of commons-based business models</dc:creator>
		<pubDate>Tue, 30 Jan 2007 12:34:18 +0000</pubDate>
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		<description>[...] Ronaldo provided several examples. Tecno Brega is a strong musical scene from northern Brasil, with artists releasing hundreds of CDs a year. These get sold through a network of street vendors without returning a single penny to the artists, who make money by playing at concerts and parties. (Here&#8217;s an article bout Tecno Brega at the OpenBusiness site). Another example coming from Brasil is Baile Funk music (also known as ‘Favela Funk’ or ‘Funk Carioca’) - Ronaldo pointed out the high symbolic impact of this music, which originates in Rio&#8217;s favelas and spreads out around the world as artists copy its infectious rhythms. Tati Quebra Barraco, a popular Funk MC, has not sued M.I.A. for including samples of Tati&#8217;s songs in their hit song &#8220;Bucky Done Gun&#8221; without paying a cent of royalties. Appropriation is natural to Baile Funk artists. In Egypt, singers make their music available for free on the internet for &#8220;pirating&#8221;, while they make big profits by playing at weddings. [...]</description>
		<content:encoded><![CDATA[<p>[...] Ronaldo provided several examples. Tecno Brega is a strong musical scene from northern Brasil, with artists releasing hundreds of CDs a year. These get sold through a network of street vendors without returning a single penny to the artists, who make money by playing at concerts and parties. (Here&#8217;s an article bout Tecno Brega at the OpenBusiness site). Another example coming from Brasil is Baile Funk music (also known as ‘Favela Funk’ or ‘Funk Carioca’) &#8211; Ronaldo pointed out the high symbolic impact of this music, which originates in Rio&#8217;s favelas and spreads out around the world as artists copy its infectious rhythms. Tati Quebra Barraco, a popular Funk MC, has not sued M.I.A. for including samples of Tati&#8217;s songs in their hit song &#8220;Bucky Done Gun&#8221; without paying a cent of royalties. Appropriation is natural to Baile Funk artists. In Egypt, singers make their music available for free on the internet for &#8220;pirating&#8221;, while they make big profits by playing at weddings. [...]</p>
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		<title>By: OpenBusiness &#187; Blog Archive &#187; synopsis of Wizards of OS panel: &#8220;making money from free bits . . .&#8221;</title>
		<link>http://www.openbusiness.cc/2005/09/26/tecno-brega/comment-page-1/#comment-1737</link>
		<dc:creator>OpenBusiness &#187; Blog Archive &#187; synopsis of Wizards of OS panel: &#8220;making money from free bits . . .&#8221;</dc:creator>
		<pubDate>Thu, 28 Sep 2006 08:58:21 +0000</pubDate>
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		<description>[...] iCommons has a great synopsis of the panel &#8220;Business and the Commons,&#8221; which included speakers from across Europe and Brasil and covered a wide spectrum of existing open business models. Music-based businesses Magnatune, Tecno Brega and Jamendo were discussed, as well as video based models like the much celebrated &#8220;Elephant&#8217;s Dream&#8221; project and the bugeoning Nigerian film industry, Nollywood, more general copyright and digital content models like the Copycan project and RegisteredCommons. [...]</description>
		<content:encoded><![CDATA[<p>[...] iCommons has a great synopsis of the panel &#8220;Business and the Commons,&#8221; which included speakers from across Europe and Brasil and covered a wide spectrum of existing open business models. Music-based businesses Magnatune, Tecno Brega and Jamendo were discussed, as well as video based models like the much celebrated &#8220;Elephant&#8217;s Dream&#8221; project and the bugeoning Nigerian film industry, Nollywood, more general copyright and digital content models like the Copycan project and RegisteredCommons. [...]</p>
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		<title>By: The Waving Cat &#187; Blog Archive &#187; Free Brazilian Music: Tecno Brega</title>
		<link>http://www.openbusiness.cc/2005/09/26/tecno-brega/comment-page-1/#comment-891</link>
		<dc:creator>The Waving Cat &#187; Blog Archive &#187; Free Brazilian Music: Tecno Brega</dc:creator>
		<pubDate>Wed, 28 Jun 2006 10:04:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.openbusiness.cc2005/09/26/tecno-brega/#comment-891</guid>
		<description>[...] (Link to the article on openbusiness.cc)Thanks to Markus who pointed this out from iSummit. [...]</description>
		<content:encoded><![CDATA[<p>[...] (Link to the article on openbusiness.cc)Thanks to Markus who pointed this out from iSummit. [...]</p>
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